Teen Wolf: The Movie
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Teen Wolf: The Movie is a 2023 American supernatural thriller teen drama film directed by Russell Mulcahy and written by Jeff Davis. The film is a continuation of the MTV series Teen Wolf and features most of the cast reprising their roles, including Tyler Posey, Crystal Reed, Tyler Hoechlin, Holland Roden, Colton Haynes, Shelley Hennig, Dylan Sprayberry, Linden Ashby, Melissa Ponzio, and JR Bourne. It follows werewolf Scott McCall (Posey) as he protects his California town from a new threat.
Fifteen years after leaving Beacon Hills, Scott now runs an animal shelter in Los Angeles, adjoined to Deaton's new clinic, and is no longer in a relationship with Malia. Lydia works at an energy company in San Francisco, has broken up with Stiles after receiving a recurring vision of his death in a car crash, and has not used her banshee abilities since. Derek, Malia and Peter now run an auto repair shop, from which Derek's fifteen-year-old son Eli persistently steals Stiles' disused Jeep. Traumatized by the sight of his father's werewolf form as a young child, Eli suffers from fainting fits whenever he transforms, which hinders his other abilities and has strained his relationship with Derek. Malia has recently begun a casual relationship with Parrish, who is quietly keen for them to become a real couple. Mason has joined the Beacon Hills police force, for whom Derek acts as a supernatural consultant. Liam lives in Japan and runs a restaurant with his kitsune girlfriend Hikari Zhang, and they guard the urn containing the Nogitsune. A hooded figure attacks the restaurant and frees the Nogitsune, with which the figure forms an alliance.
Scott and Stiles' friendship was a significant part of Teen Wolf,\" so fans were heartbroken when it was revealed that O'Brien wouldn't be part of the continuation movie. The \"Not Okay\" actor repeatedly stated in interviews that he wouldn't appear, telling Variety in March 2022: \"Ultimately, I just decided it was left in a really good place for me and I still want to leave it there.\"
No matter how you may feel about it, Teen Wolf: The Movie premiered on Paramount+ in early 2023, and though the tagline for the film reads \"the pack is back,\" not everyone opted to return. Cody Christian aka Theo Raeken, couldn't make it work as he stars on the CW's All-American, though Theo's arc had rounded to a nice, clean close anyhow. Arden Cho, who played Kira Yukimura, departed the series in its fifth season and neglected to return over a pay dispute. But the most frustrating bit of news for fans of the series was learning that Dylan O'Brien, most famous for his Teen Wolf role as Stiles Stilinski, Scott McCall's best friend, decided against returning for the movie, even for a brief scene.
After Lydia reveals this dark truth, she overcomes her fear and uses her banshee wail to aid Scott and Allison in their battle against the Nogitsune, which conveniently also restores Allison's forgotten memories. Though we don't spend much time with Lydia in Teen Wolf: The Movie after this, it is implied that, now that she's overcome her fear, she may fight to rekindle their romance and restore the most loved romance on Teen Wolf, albeit offscreen. While Stiles isn't seen or heard from at all in the film (not even in the movie's many flashbacks to the original series), his presence is still felt through his father, through Lydia, and through his trademark Jeep with manages to find new life in Beacon Hills.
Speaking of Stiles' trademark Jeep, the beginning of the film sees Derek Hale's teenage son Eli (Vince Mattis) steal Stiles' old wheels to take a non-licensed joyride throughout the northern California town. We learn later from Sheriff Stilinski that Stiles left his Jeep behind when he moved away from Beacon Hills, but rather than it be sold or destroyed, Derek took it into his auto shop, fixed it up, and kept it until Stiles were to return. Unfortunately, Derek sacrifices himself in the battle against the Nogitsune, holding the evil spirit down while the hellhound Deputy Jordan Parrish (Ryan Kelley) burns the creature alive. As Scott and Allison take Eli in, Sheriff Stilinski bequeaths Stiles' Jeep to Eli, honoring the work his father put into fixing it up.
The film is quick to grow claws, picking up with the same intensity that Teen Wolf audiences are accustomed to. Where it really shines is in the same places the teen drama has always done so, in moments of love and humanity. This is especially apparent during the long-awaited reunion between Scott and Allison. In a goosebump-inducing scene, Scott is overcome when he sees an unconscious Allison appear in front of him for the first time. Small moments, such as his shaking hands caressing her forehead in the car home, do exactly what Davis does best, finding a vulnerability in even the strongest leaders. This is amplified by an outstanding supporting performance from Melissa Ponzio as Scott's mother Melissa McCall, who clearly feels her son's loss and encourages him to \"go get her\" when Allison awakens, confused, and goes on the run in full werewolf-hunter mode.
Overall, Teen Wolf: The Movie packs a heavy punch and stands tall in the original series' six-season shadow. The film pulls on threads that have always resonated well with its loyal viewer base and continues the story of these treasured characters forward in a truly authentic way. Whilst some omissions are hard to get past, the film does well to embrace them and offers a collective conclusion to most storylines in a way that honors the fan devotion behind the series. There is a consciousness from Davis to grow the story with the viewers who have aged with it, which helps it land in its relatability in the same way that the show did with its then-teenage audience. In true honor of Davis' stamp on the project, heartache, loss, and pain are intertwined with astonishing fearlessness that is impossible to be unimpressed by. It's that very fearlessness that is symbolic of what Teen Wolf has always been, a story of sacrifice in the name of love and family, and Teen Wolf: The Movie delivers on that with unapologetic might.
When the news that a \"Teen Wolf\" revival slated to stream on Paramount+ in 2022 was announced, fans of the classic MTV series were ecstatic. On Feb. 15, 2022, the cast of the movie revival was announced, and fans were happy to learn that many of the drama's original characters were returning! Notably missing on the list of returning cast members, however, was Dylan O'Brien, who played fan-favorite character Stiles Stilinski.
When asked if he'd be open to participating in any future \"Teen Wolf\" spinoffs or sequels, O'Brien answered honestly, saying, \"I haven't heard anything about this, but I can guarantee you I probably won't be in it.\" So it's no surprise, really, that O'Brien won't be a part of the \"Teen Wolf\" movie revival. While speaking with Variety in March, he opened up about not joining the film, saying, \"It was a difficult decision.\"
Still, the decision makes even more sense when you consider his busy filming schedule! The Maze Runner trilogy launched O'Brien's movie career, and since then, he's starred in numerous films, including the 2018 action sci-fi film \"Bumblebee\" with Hailee Steinfeld. Most recently in 2021, he was seen in Taylor Swift's \"All Too Well: The Short Film\" music video and appeared alongside Mark Wahlberg in the action sci-fi film \"Infinite.\" Even after a blockbuster 2021, O'Brien isn't slowing down. He has two movies in postproduction that are slated to premiere in 2022! This includes the drama mystery \"The Outfit\" with Zoey Deutch and \"Maximum Truth\" with \"The Mindy Project\"'s Ike Barinholtz.
In the beginning of the movie, it's hinted that something caused Stiles and Lydia to break up. At one point, Lydia tells Scott that she doesn't scream like a banshee quite like she used to because \"when you stop using a muscle, it atrophies.\" Chris Ardent asks her why she stopped using her power, at which point Jackson appears and suggests, \"Obviously, it has something to do with Stiles.\"
Teen Wolf, the show, premiered on June 5, 2011 on MTV and concluded on Sept. 24, 2017, starred Tyler Posey as the teen werewolf in question. Its finale ended in a way that could have either signaled a natural conclusion, or a franchise comeback: the fight would go on ... or would it
The movie, which follows the series that aired from 2011 to 2017, picks up after the season finale during which Scott McCall (Tyler Posey) and his friends finished their mission to save Beacon Hills.
Teen Wolf: The Movie, despite its subtitle, does not feel very cinematic. For a series that played heavily on supernatural elements, the special effects were always one of the more mediocre elements of Teen Wolf. Unlike the Michael J. Fox comedy movie that inspired it, Teen Wolf consistently felt similar to the various shows on The CW, which catered to an audience that could overlook budgetary constraints in favor of crisscrossing storylines, plot twists, and unabashedly silly characters. While shows like Supernatural managed to push the boundaries of limited effects budgets, Teen Wolf always showcased questionable CGI, which is just as questionable in this movie sequel. Highlander director Russell Mulcahy, who helmed several episodes of Teen Wolf, directs Teen Wolf: The Movie with a small screen approach that hides the scale and production values in shadow, fog, and interior sets to hide the lack of depth to this production. That means that the series must rely on the actors to elevate the material.
Clocking in at two hours and twenty minutes, Teen Wolf: The Movie is not even remotely close to feeling as epic as a running time like that would suggest. The most significant change between the series and the movie is the increased profanity and casual nudity on display. Like many shows that shift from basic cable or network broadcast to streaming platforms, Teen Wolf: The Movie uses f-bombs, butt-shots, and sideboob as a cheap alternative to actual mature storytelling. While the characters are a decade out of high school, Teen Wolf: The Movie plays like an extended series episode, which means far too many plodding scenes of exposition sandwiched between action sequences framed carefully enough to hide the faces of the stunt performers. The overly choreographed fights lose any sense of intensity and are quickly wrapped up to move onto another scene that tries to explain what is coming next. The stakes never feel tangible, which could also be due to the villain never seeming like that much of a threat. 59ce067264
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